Thursday, May 21, 2020

Analysis Of Harry Potter And The Half Blood Prince

Matt Hodel Dante Ms. Harlow 7 May 2012 Perversions of Hell in Harry Potter and the Half-Blood Prince J. K. Rowling, along with many other modern fantasy authors, owes a great deal to Dante in the formulation of her best-selling series. Though the subject matter she undertakes—a magical world of witchcraft and wizardry—would have, in Dante’s eyes, landed her in the eighth circle of the Inferno, fourth pouch, Rowling would arguably have been unable to create the magical universe of Harry Potter without immense inspiration from The Divine Comedy. In an overly simplistic picture, Voldemort might be thought of as a representation of Satan, arrogantly believing that he has the power to conquer the whole wizarding community, let alone the entire world, with his magical faculties. Indeed, similar to Satan, Voldemort exemplifies the damning qualities of greed, wrath, violence, deceit, and betrayal every step of the way on his path to power. Nevertheless, Rowling’s most visible debts to Dante appear in the aura given off by the darker scenes of her novels. Such chapters evoke a feeling unquestionably reminiscent of The Inferno to anyone familiar with Dante’s work. Specifically, near the end of the sixth installment of the series is a chapter in which Dumbledore, a Virgil-figure, takes Harry, the Dante to Dumbledore’s Virgil, on an attempt to destroy the first of seven horcruxes. The chapter alludes to Canto III of The Inferno through a series of direct contrasts withShow MoreRelatedAnalysis Of Harry Potter And The Half Blood Prince1723 Words   |  7 Pagesconfirm that their memory is accurate. In J.K. Rowling’s Harry Potter septalogy, however, things work a little bit differently. Memories can be pulled directly from a person’s brain for anyone to view, shedding light on a situation easily. 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